
By Troy Brownfield
4.16.02
"We have the technology.
We have rebuilt Dr. Randy Lance.
Better. Stronger. Faster." |
Free Comic Book Day: I just wanted to open this time
with a brief note about Saturday, May 4th, Free Comic Book
Day. Nearly every major comic company is participating in
this venture (the day after "Spider-Man" opens) in an effort
to attract more people to the field. Each company has selected
a book (or books) with the purpose of attracting readers.
Marvel, for example, is offering a version of "Ultimate Spider-Man"
#1. DC is offering the kid-friendly "Justice League Adventures".
And so it goes. This is a great idea, and is being supported
by ads on the Sci-Fi Channel.
If you're a fan already, I'd recommend grabbing a free book
and giving it to a friend who is not a reader. Convert with
literature, just like the Mormons. If you aren't a fan, there
will never be a better time to look in and see what comics
are about. If you happen to try a book and not like it, don't
throw it away; pass it on to someone else.
With the vanishing of spinner racks and the shrinking of
rack space at the local grocery store (hell, with the disappearance
of the local grocery store), it gets harder and harder for
young readers to find their way to comics. By and large, the
companies lack the funding to advertise on TV, and dunderheaded
FCC regulations keep them from promoting comics during the
very shows on which they're based (that's right; even an announcement
as simple as "Follow the Justice League in DC Comics" is banned
by rules that were meant to "protect" kids from the toy-driven
cartoons of the '80s).
Kids deserve a chance to get into comics more than anyone.
An adult can drive him/herself to the comic shop. An adult
can look up various interest points online. If kids don't
have a gateway, they won't be fans. And kids should read comics
that are targeted for them. Comics DO help with your reading.
Comics DO expand your vocabulary. Comics DO broaden your knowledge
of science and history through plot points. Kid-driven comics
DO have general reinforcement about the concepts of right
versus wrong. I will never be convinced that comics are anything
but beneficial for kids simply because I read them as a kid.
They sure as hell improved my reading, expanded my interest
in things like science and mythology, and made me appreciate
art on a different level. Reading comics didn't stop me from
reading great literature, seeking out interesting films, or
obtaining an advanced degree. If anything, they pushed me
toward all of those things. Other kids should have that chance.
And on Saturday, May 4th, you can give it to 'em for free.
You can't beat that.
A Behind the Music Thought: You ever notice how so
many big rock bands end up alienated from their front men?
I'm thinking especially of bands like Styx and Journey here.
For all intents and purposes, these are the guys who wrote
the bulk of the material, represented the band in the press,
and lead them on stage. They often based the material on their
own personal lives, and often faced disdain from band members
who didn't want to do "romantic" or "popular" material. Inevitably,
for one reason or another, these guys are booted or part ways
over quibbling. Then the rest of the band goes on touring
with a replacement guy they easily control, playing these
songs that they claimed to hate while collecting money off
of a guy that they couldn't wait to get rid of.
What really intrigues me is the question of why this story
is so common. Is it human nature to be so jealous of a person
who attracts more attention, causing you to want to turn on
that person? Sometimes the complaints are centered around
the fact that the songwriter makes the most money in the band;
one would then wonder why the other guys didn't step up and
write more songs or at least try to collaborate.
This isn't to say that front men are totally innocent. Sometimes
they can be controlling, and I honestly think that comes from
the fact that they are often the "visionary" of the band.
If you're writing the material and steering the ship, naturally
the issue of control comes close to home. Sometimes people,
like the rest of the band, don't want to lead, and conversely,
they also refuse to follow. And what are they left with? Touring
state fairs, slogging out the same songs from thirty years
ago while the guy who came up with the stuff tours with orchestras
or sits at home and collects royalty money anyway?
Who wins in those situations? VH-1, I guess.
A Coda to the Above: I'm almost, but not quite as,
intrigued by how certain other bands manage to stay together.
Aerosmith basically disintegrated in a morass of personal
animosity, creative issues and substance abuse a couple of
decades ago. Somehow they pulled it back together, had a great
run in the '80s, and still manage to be a large act. Granted,
their best creative days are behind them, but they can still
hang out, do the stuff, be entertaining, and occasionally
convert new fans.
Look at the Stones; it's almost the same. Mick and Keith
have fought a lot, but are still the core of the band. KISS
had their original line-up splinter for 16 years before reforming,
yet the Simmons/Stanley core never departed. Perhaps the "duos"
and "cores" are able to stay together because, despite differences,
they appreciate that force within one another. Perhaps Tommy
Shaw and the rest of Styx resent Dennis DiYoung not for anything
he did per se, but for the fact that they don't necessarily
have the "that" which he had. It could be that's why Steve
Perry and his ilk have to hit the bricks, but Gene and Paul
can look at each other at the end of the day and say, "Hey,
we've both got something special here."
Maybe the secret to a great band is the visionary force,
and the secret to an enduring band is the visionary "core".
It's an interesting notion, and one worth exploring if you're
plunking out songs in the garage.
The Middle East: With the exception of advocating
the occasional whacking of a dictator, I don't get into the
whole Middle East issue too much. It's just so damn delicate,
and people are ready to take offense on all sides. When you've
got thousands of years of bad blood, a couple of power lunches
between politicians ain't gonna solve much either.
I can honestly say that I've never been given a good reason
why there can't be some kind of Palestinian homeland. The
problem is there are too many volatile individuals on both
sides that keep screwing up the process. Some say that Arafat
supports the suicide bombers; some say he doesn't. Hell, he
finally issued a statement against them, but I doubt that
stops much of anything.
Maybe the real problem here, as with racism in the U.S.,
is that old people with old ideas are the ones in charge.
I'm not saying we hand over the bargaining to twelve-year-olds,
but I am saying that there's just waaaaay too much personal
friction between sides for anything to get settled. We may
slap a big "peace accord" sticker on this week's piece of
paper, but by next year it'll be worth as much as that hot
dog wrapper you threw away at your last ball game.
The U.S. may be trying to help, but how do you wade into
a conflict where certain Arab newspapers print stories claiming
that the Jews need the blood of children for Passover rituals?
How do you overcome twenty centuries of killing over which
invisible bogeyman is greater? How the hell do you tell both
sides that they're being pains in the ass and to knock it
off?
It's just like a high school squabble between buddies. Someone's
gonna have to choose sides. With the U.S., they're really
always going to fall on the side of Israel. That's all well
and good, but I hope that it doesn't ever come to the point
where American troops make an intervention in the middle of
all that. I know we've had troops in Beirut and so forth,
but I'm talking armed conflict. You see, with Kuwait we could
at least say it was for oil. With Panama, we could say we
were fighting drugs. With Afghanistan, it was about fighting
terrorism. I honestly don't see a way where we could enter
that conflict without acknowledging that what we were really
fighting was Islam. Maybe we could justify a bout with Iraq
if there were enough 9-11 evidence. But as for the rest of
the region, can the land of the free and home of the First
Amendment really do that?
Man, I hope not.
Troy Brownfield is the Editor-in-Chief of Shotgun Reviews.
Behind the Music is a trademark of VH-1, like they actually
read this. Email Troy at psikotyk@aol.com.
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