Perv: A Love Story
Review by:
Russ Ray


Written by: Jerry Stahl


Rating: bananabananabananabanana

Not having any experience in the area of drug abuse, I can only guess what the overall metaphor of Perv: A Love Story is. As much as it is a historical record of the very end of the 1960's and the weaving of teen angst, suburban boredom, and social norms, it's also a blatant drug trip of its own. It starts out with vivid, strange, and hilarious imagery. Then, it prolongs itself by going absolutely nowhere while still pursuing that imagery. Once things actually do start to move along, the whole thing ends up leaving you craving for more and wondering what the hell you've been doing for the past 12 hours.

Jerry Stahl's book is told from the point of view of 16-year-old Bobby Stark, who begins the book about to have sex with a girl in the basement of her parents' house and two of his friends watching. From there, it moves on to the surreal lifestyle of her one-armed father and her mother suffering from a terrible disease. Stark is kicked out of his prep school for the incident after getting ratted out by one of his accomplices and is sent back to his widowed mother in Pittsburgh. Bobby goes in and out of strange circumstances, such as dealing with his domineering mother and her strange condominium neighbors, his mother's weird boyfriends, and an obsession with a childhood crush who turns out to be a Hare Krishna when he returns to town. After being so sick of dealing with his life, he decides to seek out the love of his life and run off to California to be a hippie.

As I said, the book is full of imaginative and intriguing characters, as well as tons of anecdotes that make you feel like the book is more autobiographical than anything (which it is, in a way). Bobby is such a sympathetic character early on that seems to be caught in the wrong circumstances more often than not than by making poor decisions. However, the book seems to drag on at some points where Bobby seems too self-reflective and staid about his situation, and you're screaming at him to run away from home already. Then, when he actually gets out on the road, Stahl spends way too much time on a violent, grotesque incident that ultimately ends up being the climax of the book. The epilogue that occurs over 20 years later is rather silly and cute compared to the much more clever writing earlier in the book, and it seems to tie up all the loose ends in a hurry and much too neatly.

Perv is refreshing in its frankness in discussing the teenage libido and the reasons why kids do drugs... to get away from their shitty, abusive, or oppressive parents. The supporting cast is honestly much too brilliant and colorful to be believed, but you will ultimately end up finishing this book disheartened and wishing not for a happier ending or a sadder ending, but just an ending.

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