Big Ups for Big O:
The Big O Volume 4 (Episodes 11-13)

Bandai DVD Review by:
Troy Brownfield
More Information: http://www.bandai-ent.com

Rating: bananabananabananabanana

The Big O Volume 4 My affection for "The Big O" knows no bounds. The crazy combination of James Bond, the Batman animated series, Dark City and giant robots has had me completely absorbed. With the release of the final volume in the current series, Bandai throws down the gauntlet with a challenging story and the promise of more to come.

For those unfamiliar with "The Big O", a large part of its charm lies in the premise. Frankly, the audience never totally gets what's going on, and that's a great thing. Prevailing mysteries aren't explained away in a neat package; they linger on, and even by the end of the thirteenth episode, we still aren't completely sure what the hell just happened. At any rate, the overall plot remains that Roger Smith is the top negotiator (read: problem solver) in Paradigm City, a metropolis where everyone lost their memories forty years ago. Roger, his butler Norman and android R. Dorothy Waynewright usually encounter problems that Roger ultimately solves with the help of his giant robot, the Megadeus called Big O. Where the robot is from, how Roger got it, and why it's called The Big O are among several of our unanswered questions.

Honestly, the answers don't always matter. What's important in this show is STYLE, and "Big O" has miles to spare. The whole enterprise has a noir flair between the protagonists black wardrobes (in fact, black is a rule in Roger's house), the jazzy score and the abstract city setting. We viewers know that something's going on beneath the surface which might have far reaching, even Biblical, implications, but it's ultimately the presentation that matters.

The three episodes herein reek of sinister menace and shake Roger to the core as he learns that no matter how smart or skilled he is, there are still pieces missing.

Episode 11: Daemonseed: Roger and Dorothy befriend a sax player and his blind girlfriend against the backdrop of the Christmas-like holiday Heaven's Day. It's a sweet story that figures in some tips to O. Henry and a friggin' gigantic killer plant.

Episode 12: Enemy is Another Big!: The title says it all. The hot, mysterious Angel is back. The renegade nutball journalist Schwarzwald is back too, and he's piloting . . . BIG DUO. It's a (need we say it?) big throwdown that leads directly into the barnburning final episode.

Episode 13: R.D.: There's a serial killer at work in Paradigm, and the perp leaves the message "Cast in the name of God, Ye not guilty" at the murder scenes. This phrase, of course, is what appears on Big O's screen at start-up. Roger dives into the search for answers, leading to a truly stunning final five minutes that answers a couple of things, leaves about half-a-dozen more questions hanging, and sets Roger and the gang up for a magnificent battle because . . . TO BE CONTINUED.

Yep. I about tore my hair out, but WOW. What a note to end on. The wonderful creator interview featured as a DVD extra reveals that a second series is already in the works, and yes, it should pick up right from the end of 13 (*whew*). In fact, the very extensive interview is a great bonus, featuring as it does production, design and voice talent. It's another hallmark of why Bandai is simply among the best at rendering home versions of great anime.

The four "Big O" volumes carry my highest recommendation. With breakneck pacing, more style than a run of Vogue and an atmosphere black enough to give Hammett pause, "Big O" is one of the best.

Return to the Bento Box

Troy Brownfield is the Editor-in-Chief of Shotgun Reviews. He also highly recommends the Anime Collector figures from Bandai, of which Big O is a part. Email him at psikotyk@aol.com


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