"Daddy's Home "
The New Teen Titans:
The Terror of Trigon

A DC Comics trade paperback review

By Troy Brownfield

Writer: Marv Wolfman
Pencils: George Perez
Inks: Romeo Tanghal

More Info: www.dccomics.com

Rating: bananabananabananahalf banana

The Teen Titans have once again captured popular imagination, what with the new animated series and three sell-outs in a row for the new DC title. That harkens back to the time when the Titans franchise was popular enough to split into two distinct titles: one, for the newstand, was called Tales of the New Teen Titans, and the other, for the direct market, was The New Teen Titans. The first five issues of that more mature, direct-only series from the early '80s have finally been collected in trade form. Given a great cover by the Perez-influenced Phil Jimenez, the new volume puts the stellar work of Wolfman and Perez front and center at a time when the Titans are the rage and Perez is getting large JLA/Avengers ink. Good move.

And good work too. Building on issues latent since the start of the first New Teen Titans series, Wolfman and company explore the darkening of Raven. Early in the original run (large portions of issues #3-6), the Titans battled Raven's demonic father, Trigon, and barely survived. Now, the team is beginning to see signs of change in their teammate and things start to go downhill quickly. (As explained by Wolfman in the intro, the creative team was able to incorporate the simple evolution of Raven's look over time into a sinister, long-term transformation; the inspiration makes it so that any reader who flips back can indeed see the subtleties that Cyborg discovers. That's smart work, folks).

Much of this tale concerns confronting the demon within. For Raven, that's a literal dilemma, but the other Titans are forced to deal with other psychological torments as well. It's a fine metaphor and works well in execution. Also, the return of Kid Flash and Lilith to the team add both a personal and powerful weight to the proceedings. Lilith was an interesting character, criminally underused with the exception of the later "Thia" and "Azrael" stories, and it's a shame that she got smoked in the whole "Graduation Day" thing. At least she gets quite a bit to do here.

As for the art, this was just before Crisis, and Perez was firing on all cylinders, and maybe a few extra besides. His facial expressions are dead-on, and his detail is outstanding. The man draws super-heroes the way that they're supposed to look.

Overall, this is a really strong story and a perfect snapshot of both a comic and creative team at their best. Grab this and a copy of "The Judas Contract" and lose yourself for a few hours. Here's hoping that we'll have even more Wolfman/Perez collections to look for in the future.


Troy Brownfield is the Editor-in-Chief of ShotgunReviews.com. He would be really pleased with DC Direct figures of Nightwing, Jericho, Terra and Deathstroke. Email him at
psikotyk@aol.com

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