
CrossGen Brings Their
“A” Game:
The First Four CrossGen Trade Paperbacks
Review
by: Troy
Brownfield
It’s been
a year since CrossGen exploded onto the comics scene. With
a visionary leader in Mark Alessi and an ever-growing roster
of talent, CrossGen has captured attention with fresh stories,
outstanding art, vibrant colors and quality work. Everything
about CrossGen has been different, and their dynamic approach
to trade paperback collections is no exception.
Overview:
The collections respectively gather the first seven issues
of Mystic, Scion, Sigil and Meridian.
However, CrossGen doesn’t just stop at a “gather and sell”
formula. Each volume contains the relevant “1.5” issue section
from the first issue of CrossGen Chronicles. Every
volume also features an introduction by Alessi, detailing
the themes and ideas behind each series. Possibly the most
innovative feature is that each issue within each collection
has an introduction contributed by a member of the creative
team or the CrossGen staff. Whether it’s Ron Marz addressing
the burden of power for Mystic #2 or Barbara Kesel
riffing on the heroic nature of Meridian’s Sephie,
these intros provide a great perspective on the creative process.
Frankly,
these collections just look spectacular. The paper quality
is outstanding, the colors have lost none of their snap, and
even the introductory credits are clever (representative icons
next to each creators name actually show you the steps that
a comic takes to completion. It’s startingly simple, but brilliantly
effective). CrossGen has also given each volume a distinct
name and clearly numbered each one. Together, they feel like
the first installment of an impressive library. For lack of
a better description, these are “graphic DVDs”.
Let’s
look at these one by one:

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© 2001 CrossGen Comics
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Mystic:
Rite of Passage
Writer:
Ron Marz
Penciller: Brandon Peterson (#1.5, Claudio Castellini;
#7, Steve McNiven)
Inker: John Dell (#1.5, Caesar Rodriguez/Andrew
Crossley; #7, Mark Lipka)
Colorist: Andrew Crossley (#1.5, Michael Atiyeh;
#7, JD Smith)
Letterer: Dave Lanphear
Cover Painting by Joseph Michael Linser
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Probably
the most instantly recognizable book, Mystic positioned
itself as something familiar, the “magic babe book”, then
totally surprised us. Ron Marz has always handled the idea
of power vs. responsibility well; here he’s constructed an
intelligent book with an appealing lead character that struggles
with real issues.
Our
protagonist is Giselle, who lives in a world where magic is
the norm. Her sister is set to receive great power as a magic
guild master, but Giselle accidentally gets that, and a great
deal more. Giselle doesn’t want the power that she gets from
her sigil, and this immediately puts her into opposition with
the guild masters and her own sister.
Part
of the hook to these early issues is seeing how Giselle confronts
her personal issues with the power while staving off those
who would take it from her. Marz has also imbued the book
with an air of romantic entanglement that’s hard to sustain
in more mainstream titles. This is a very well-written book
that’s elevated further by its incredible visuals. Highly
recommended.

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© 2001 CrossGen Comics
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Scion:
Conflict of Conscience
Writer:
Ron
Marz
Penciller: Jim Cheung (#1.5, Claudio Castellini;
#7, Rick Leonardi)
Inker: Don Hillsman II (#1.5, Caesar Rodriguez/Andrew
Crossley; #7, Karl Kesel)
Colorist: Caesar Rodriguez (#1.5, Michael Atiyeh;
#7, Paul Mounts)
Letterer: Dave Lanphear
Cover Painting by Adam Hughes
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Scion
easily grabs the title of my favorite CrossGen book. Another
treatise on power and the individual by Ron Marz, Scion
tells the story of Ethan, a young noble whose family, the
Herons, have held conflict with the rival Ravens for generations.
Early circumstances (like the revelation of his own sigil)
force Ethan into flight, intrigue and war.
As
with Mystic, Marz weaves a compelling story around
a likeable character. However, as good as the art is on the
first title, I’d have to say that Scion is able to
surpass it. Jim Cheung’s art is uniformly incredible. Every
page is fairly exploding with innovative lines and boldy realized
visions. He’s going to be the next guy that every young artist
wishes he could be.
By
turns shocking and action-packed, written with intelligence
and depth, and drawn with the utmost care, Scion was
easily one of the best books to debut in 2000 from any company.
This is an easy choice for any discerning comics fan.

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© 2001 CrossGen Comics
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Sigil:
Mark of Power
Writer:
Barbara
Kesel
Penciller: Ben Lai (#1.5, Claudio Castellini; #6,
Steve McNiven, #7, Kevin Sharpe)
Inker: Ray Lai (#1.5, Caesar Rodriguez/Andrew Crossley;
#6, Jordi Ensign and Batt, #7, Randy Elliott)
Colorist: Wil Quintana (#1.5, Michael Atiyeh)
Letterer: Dave Lanphear
Cover Painting by Christopher Moeller
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I’ll
admit it. Sigil was my least favorite CrossGen book
when the company launched. However, I have to say that upon
a second reading in collected form, the story has a better
ebb and flow. Credit for this is due to Barbara Kesel, who
has an innate talent for taking familiar situations and creating
deep characters from within them.
The
most evident weakness in the early Sigil issues is
the art of Ben and Ray Lai. I found their style to be fairly
derivitive of early Image. Also, the main male characters,
Sam and Jemerik, looked almost identical during the Lai tenure.
My enjoyment of the title leaped immediately after their departure
from the book.
That’s
not to say that this volume isn’t enjoyable. Far from it.
Kesel and company have created a space opera with the pulsing
rhythm of a Saturday afternoon serial. Things move at a breakneck
pace, and the furious action forces the characters to develop
while on the run. It’s a testament to Kesel’s skill as a writer
that the action scenes usually reveal the most interesting
turns and shadings in her characters; under the hands of other
writers, it would all seem to be just flash and thunder. That’s
not the case here. Sigil certainly bears investigating.

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© 2001 CrossGen Comics
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Meridian:
Flying Solo
Writer:
Barbara
Kesel
Penciller: Joshua Middleton (#1.5, Claudio Castellini;
#6, 7, Steve McNiven)
Inker: Dexter Vines (#1.5, Caesar Rodriguez/Andrew
Crossley; #6 Vines w/Dell, #7, Jordin Ensign)
Colorist: Michael Atiyeh (#6, 7, Morry Hollowell)
Letterer: Dave Lanphear
Cover Painting by Steve Rude
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Meridian
wonderfully brings to life a fantasy realm populated by craftsmen,
traders, one diabolical villain, and one vibrant young girl.
Sephie may be one of the best of CrossGen’s recent creations,
as she is a character that represents that most neglected
of comic demographics: the young woman. Sephie’s success as
a character is dependent on her intelligence, her heart and
the insightful writing of Barbara Kesel. Teen magazines should
be ashamed of themselves for not giving Sephie covers.
The various
artists to service this title thus far have brought a great
fairy tale quality to the proceedings. This is high fantasy,
and the artists have worked diligently to make the surroundings
unique.
Meridian
is one of those books that comics fans should use to introduce
younger readers to the hobby. It certainly should receive
more recognition from the “mainstream” media for appealing
to young women with wit and sensitivity.
Taking
all four of these collections into account, it’s easy to see
that CrossGen has staked out a place in the comics industry
with strong talent and creativity. I look forward to seeing
them succeed in the coming years. And you should want to look
back and say, “Here’s where it started; with these.”

Troy Brownfield is the Editor-in-Chief of Shotgun Reviews. Special thanks
to Ian Feller at CrossGen for his continued support of our
efforts.
Email Troy at psikotyk@aol.com.
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