The Pull-Box:
ShotgunReviews.com's Ongoing Comics Column

01.02.03

by Troy Brownfield

This time out, I'm devoting the entire column to an advance look at a forthcoming series from DC. Without exaggeration, this will be one of the best new mainstream titles of 2003.

Touch That Dial:

H-E-R-O #1
Advance Preview from DC Comics

Rating: bananabananabananabanana
More info:
www.dcomics.com
Street Date: February 12th



Sometimes, the best ideas just need to sit a while. Take the JSA for example. After a few attempts at relaunches, the 1999 ongoing series hit the zeitgeist home run and the book took its place as one of DC's best-sellers. So, with another swing at The Outsiders coming up and yet another incarnation of the Teen Titans about to arrive, it should come as no surprise that DC is revamping another old-school favorite, Dial "H" for Hero.

The first "Dial H" series featured protagonist Robbie Reed dialing H-E-R-O to become a variety of super-heroes. The second series, which ran for a time in Adventure Comics, then as a back-up in Superboy, showcased Chris King and Victoria Grant, two teens with dials that became characters created by the readers. Both had their appeals, but the root idea was just too solid to be abandoned forever.

Enter Will Pfeifer, writer of the notable Vertigo mini Finals, and Kano, late of the Superman titles. The creators have taken the original element (unlikely person gets the dial) and turned it on its head. Blending traces of Robert Altman's "Gun", Vertigo's own "100 Bullets", and a healthy dose modern revisionism, H-E-R-O will surprise you. With high-octane action and a new estimation of everyday people in the DC Universe, this book has the early makings of a runaway hit.

Meet Jerry. He hates his job (working in an ice cream parlor) and he hates his life. Like a certain reporter, he's in love with a girl who's got it for Superman. Jerry's a regular guy stuck in that desperate grind that is the province of the average. The fact that he's seen Superman in person becomes the only topic of conversation for those around him, and honestly, Superman's very existence by comparison damages Jerry's already precarious self-worth. The examination of the psychological damage that living among superpeople can cause to the everyday person isn't a topic that DC has tackled often, and I truly enjoyed it here.

As you might expect, the H-dial finds its way to Jerry. Taking a chance, he tries it. The first few panels where Jerry discovers that he can fly are simply oustanding. The broad smile that breaks across his face as he rises above his everyday life is magnificently done. However, things soon take a turn for the drastically worse.

Pfeifer and Kano hit the ground running with a solid concept and strong execution. The particular storytelling device that drives this first issue is nothing short of brilliant. It's my understanding that the series will follow an anthology type format; if the rest of this series is as fascinating as the first issue, readers can expect A RIDE. Pfeifer's timing and dialogue are impeccable, working in terrific counterpoint with Kano's rainswept tableaus. H-E-R-O just might be the first big find of 2003.

The first issue hits shelves on February 12th. Buy it before everyone tells you what you've missed.


Troy Brownfield is the Editor-in-Chief of Shotgun Reviews. Dial him up here.


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